1. In your L.H. outline a C7 chord. Don't worry about the 5th, it's often unnecessary in its unaltered state.
2. In your R.H. play a major triad a tone above the root. Triads sound best in second inversion.
That's it!
1. In your L.H. outline a C7 chord. Don't worry about the 5th, it's often unnecessary in its unaltered state.
2. In your R.H. play a major triad a tone above the root. Triads sound best in second inversion.
That's it!